Saturday, September 26, 2020
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For AW18 Salvatore Ferragamo, presents neither one Ferragamo woman, nor one Ferragamo man- instead inviting a broad community of models to reflect the glorious multiplicity of today in a patchwork of characters under the creative direction of Paul Andrew. Shot by Harley Weir and featuring

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Maison Valentino Pierpaolo Piccioli, offered a parade of such extravagantly saturated hues for Valentino, with swaggering proportions.  “Couture involves a deeper and more intimate perspective, to go further into your own vision of beauty.” States Piccioli. This season his vision involves a mash-up of Greek mythology,

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With her stately demeanour and nymph-like beauty, Marine Vacth captivates us and invites us to discover the Chanel 2017/18 Cruise collection as it arrives in boutiques. The French actress and Chanel ambassador punctuates her goddess dresses, her tweed ensembles and her fluid jersey jumpsuits with costume

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Max Mara's SS18 collection shares a Baudelairean view of the city; its landscape a living breathing entity, its mood swings restless, fleeting, transient, and often unpredictable. The smarter cosmopolites seek out discreetly luxurious oases, shady patios and hidden gardens. Business and pleasure, with the promise of

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Valentin Yudashkin presented the Spring-Summer 2018 ready-to-wear collection at the Palais de Tokyo; the presented collection was inspired by avant-garde art and, particularly, suprematism (from the lat. Supremus- the highest). Which is an art movement focused on basic geometric forms, painted in a limited range of colours

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Bottega Veneta’s Spring/Summer 2018 Women’s collection began with their perennial starting point: colour. The optimistic palette draws from the Marble Room at Kedleston Hall, a grand Palladian-style country house by British architect Robert Adam: the delicate rose of its walls, the ocean-blue in its frescoes and

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